this bundle contains the maxi singles connected 003, 004 and 008 by re.you, aaaron and terranova / stereo mc’s + a white shirt in m size with the connected logo.

3 texts about that record from daft punk, the pilotwings & jorge socarrás (friend and musical partner of patrick cowley) have been written. (see below) andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... it includes a track reinterpretation by le chocolat noir. based in moscow (russia), andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... this space world full of lights crossing the city late at night, boarding with them all kind of styles ... cosmic disco,psychedelic pop, synth music. linking past to modernity is something conscient in andrei s sound, permitting him to play live at local places involved into technological process where conferences also take place, at the 2016 synthposium festival for example.

1800haightstreet finally break a years hiatus in the caves of vancouver to come roaring back onto lobster theremin with a bumper album of long-awaited otherworldly techno experiments.
with that classic, depth-charged warehouse sound blending the heavier side of detroit techno with a shot of basic channel atmospherics and a rickety stepped uk edge, this is a real time-stamp set into stone. a spectral rotation through the deeper sides of 4/4 with each slice coated in a dazzling array of synth programming, heavily effected interstellar rhythms and processing that goes from scorched & crusted to clean and undulating as each side is flipped.
a refined and considered document spanning the many elements of techno that sees thumping deepness (vanisher, super intelligent, psychic) collide with crunchy, straight-down-the-line stompers (the ram, endless, razor, diagonal iris), blistering heaviness (flood, intuitionist) and galaxian dub techno (past life memory).
overall, a truly inspiring body of modern techno from one of the finest and most standout new artists in canadian electronic music.

sublime sonic vibrations emanate from ‘down under’, our man subjoi cuts his teeth on heart to heart’s first departure from the great white north. expertly massaged with dusty lo fi grooves and steeped in rnb like d’angelo’s sheets, this one is filled with heat. these 4 range from catching eyes across the club to full body explorations. let it be known, subjoi is in the building.

disco fruit s sublabel continues to turn out smooth and slick deep, funky house, and this time around tonbe is on hand with the goods to get the people grooving. broken heart features rachel on vocals and some sweet saxophone, hitting the spot just right for universally appealing house music. street groove is a more forthright, clubby affair where the drums take the lead and the keys lock into a loopy late night roll. feel so good features some more choice vocal turns with urgent melodic hooks, and then something jazzy swoops in at the end with some proper new jersey heat to get your body popping.

after a brief hiatus, the disdat crew is back in action & ready to unveil their third release. dorian paic & federico molinari hit the ground running with “hamal,” a stomper aimed straight at the dancefloor. martinez’s “occurrence” is a psychotropic experience, with distorted whispers and glitches riding over a dark, weighty groove. on the flip, lee burton explores the ethers with “ndn”, a mind-bending work with traces of detroit nostalgia and a drexciyan influence. rounding out the ep is a reissue of the classic “you’re just a body (you’re just a freak)” by scott edwards, first released in 1998 under the name “phlash.” it sounds as fresh as it did almost 20 years, a euphoric and high-energy track guaranteed to move the dance floor.

ernestas kaušylas aka brokenchord is a music producer and composer born and raised in utena, a small industrial town in lithuania. kaušylas was quickly picked up by black acre, releasing both a 7inch single and an ep, after an exclusive mix of his was aired on bbc radio one’s experimental showhosted mary anne hobbs in 2010.
endless transmissions is the brainchild of kaušylas who single handily (bar two tracks) wrote and performed the entire album. the only collaboration was with jazz drummer, augustas baronas , who he encouraged to play as mechanically as possible. the lp pays homage to creativity and the ability topush the limits of technology with the physicalness of a human body. kaušylas explains “machines that mimic human grooves is boring but the other way around it becomes quiet interesting”.

ziúr is one of the most exciting producers to come out of the fringes of berlin club music in the last few years. a new generation is breaking out of the techno mould and creating in a spirit of freedom and experimentation, taking seemingly incompatible influences and balancing them into a new and exciting sound. ziúr is also the founder and resident dj of boo-hoo, a night championing diverse lineups, reflecting its creative audience, bringing through the cream of the experimental dance underground. planet mu are proud to release ziúr’s debut album “u feel anything?” in collaboration with objects limited, a label run by lara rix-martin which releases music by women and non-binary people.

marlon hoffstadt is a rising star as both a dj and producer, effortlessly joining the dots between classic rave and the future of techno. taking a break from running his retrograde label, marlon has cooked up observing the known for ransom note records. over three tracks of warm synths, bubbly acid and emotional chord progressions, the ep sees marlon reimagining house music for todays dancefloor, taking the passion and energy of ‘80s chicago and giving it the production heft of 2017 berlin. opener ‘floating’ is a piano house classic, shot through with chimes and 303 gurgles, nostalgic for a golden age whilst optimistically looking forward. this is peak time house for dancefloors with heart. it’s followed by the computerised funk of ‘arp+’, an acid house roller that teams jacking 303 bass with mournful strings, as sorrowful as it is uplifting. b-side opener ‘batavus’ is a driving tribute to detroit, kevin saunderson-esque keys stabbing over soaring washes of synth, the sound of late nights and starry eyes. london-based scott fraser has added a remix of arp+ that takes marlons classic techno to darker lands, with snapping electro drums and deliberately seasick bass pressure ramping up the claustrophobia. this mix has already been causing huge damage when dropped on dubplate at fraser’s feted body hammer night.

a celestial body alive, in movement from the gravitational pull of forces yet unknown hurtling through our inner space. where thought and concept are intertwined with light and sound where cosmic shudders become music. where categories are obsolete and there is only impress.

after nearly half a decade since their monumental make it good, dj tennis and fink re-collide on !k7. inspired, recent studio sessions have bore two breathing, sonic landscapes, entitled certain angles. glimmering pianos, droning machines and captivating songwriting take form, wrapping the berlin-based singer’s voice in subtle melancholy. both humbly understated, yet party-ready, certain angles perfectly summarises the life and death founder’s recent etching in the dj kicks stone. dj tennis has also called on four of his most trusted allies to reinterpret the 12&#8242,,,, with four digital-only remixes: the/das deliver a pensive moment of bubbling body music. francesco leali appears with a timeless, genre-bending re-perception as opus 3000. lee jones salutes the faithful dancers. mentrist’s unclassifiable excursion challenges the towering borders of techno.

drone pursues new resonant frequencies with itÆs twelfth release, a tonal, penetrating, and experimental album. vii was recorded by laying full takes of synthesisers and guitar feedback with repetitive melodies as a nod to the tradition of ragas. each song was written for a specific power centre in the body and to engage both active and passive effects of sustained and concentrated sound.

emotional response reach out to another fine selection of sonic voyagers to take brain machines excellent peaks lp to task, leading in with the warm discoid undulations of rollmottle who refigures to the stars as a gentle, groovy warm-up joint. die wilde jagd takes on mercury ripples and fashion a bombastic breaks jam out of it, and merrick adams pushes alpha moon into a curious but ultimately cosmic space somewhere beyond the titular lunar body. cass takes the prize with the bittersweet synth tones that course through the two-part remix of nexus vox.

mst032 cute heels. this 4 tracker ep comes strait from the white mountains of bogota after transmissed to the dark streets of berlin. after a mindblowing 12inch on darkentries cute heels delivers a new one for moustache records. this 12inch listen to the name bella ep a renaissance new wave techno electro banger. dark strings and live feel with enough fist pumping energy for your unisex body machine tekno party.

coming off the back of 2 years running strictly-vinyl-only acid house underground parties, the downfall crew all veterans of the 1980 s london acid house scene have put together their debut 12inch. straight out of wandsworth ep. four jacking analogue machine-driven tracks. all hardware. vinyl only. no digital.

spearhead records label boss steve bcee returns with his 4th studio album, and itÆs safe to say that itÆs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÆs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÆs safe to say that even though bcee has been in the game for 16 years, heÆs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more

metempsychosis vinyl 001 invites you to the sonic soundscapes of tapefeed along with a remix by vril. here, we are presented with the unfolding of both legend and reality, abstract and matter, sound and touch. a journey, a mythical trip into the japanese tale of amaterasu, goddess of the sun and susanoo, god of chaos narrated through the literature of pulsing drum kicks, transcendental snares and atmospheric drones. through the evolution of the tracks we are invited to retrace the steps taken by the gods from the darkness, disorder and dismay created by susanoo to the lucidity, light and ultimate return of order as the gleaming amaterasu re-emerges from her cave. this story, visualised by sound is to be perceived through the unrestrained movement of your body, in the same way the dawn goddess ame-no-uzume danced, luring the sun back into the sky. here, we ask you to let go, abandon yourself and embrace the dawn at the end of the eclipse.

joe claussell joined the mushroom house series! the new york city dj and music originator made one of his rare remixes. for the toy tonics series. claussell is a pioneer. blending african and brazilian rhythms with disco and house since the early 1990ies. inspiring the music world with his labels spiritual life music and ibadan records and with his legendary body & soul parties that he run for 6 years with francois k and danny krivit in nyc. for toy tonics he remixed an obscure afro funk song by german afro - kraut band karl hector & the malcouns and nicolas tounga, singer from burkina faso.

solar phenomena is a brand new label on an exciting astral crusade. the take-off pilot for our virgin mission is none other than decorated polish producer echoplex. one of the country’s first breakthrough international techno artists, his body of work dates back almost 20 years while often taking us 20.000 light years forward. this is no exception.

dansu &#12479,,,&#12441,,,&#12531,,,&#12473,,, discs is a newly manufactured imprint based out of manchester, uk. with a grip of 7 strong releases already behind their belt, they bring their debut 12” release, 4 tasty house cuts by none other than keita sano.
titled ‘come into my life ep’, the 4 track release shows influences from all over the electronic and musical spectrum. with the notably familiar nostalgic synths of ‘afrika’, to the reggae oriented disco cut of ‘j’, this release is a stronghold for any dance floor it graces.
grab that 12” now!

healing force project drops tripped out, spacey jazz explorations for the body and mind onto on board music. spiritual ambient techno freaks this ones for you.
opening the ep, “a matter of time” sets the things up with a phlegmatic tempo centered around a feverish acid line. a soft mist of organic snares, dub percussions and jazz hi-hats slip over a spacious spread of synthesizers.

ig culture and alex phountzi are namebrandsound and are back with their third ep on their own arena yard imprint. known for their roles in the broken beat movement, namebrandsound puts a nowadays take on a lifetime of different influences. their most comprehensive body of work today the seven track spell t.h.i.s.o.n.e ep joins the dots between broken beat, juke, jazz, jungle and dancehall, from the grime jazz of harvest your manor to the new school bruk style of patience which features west london r’n n sensation, abel miller, to the straight up juked style of the title track

nach drei eps gibt es 2017 das mit spannung erwartete debütalbum von rag’n’bone man. »human« heißt der erste longplayer des britischen sängers, genauso wie die single, mit der er gleich mehrfach platz eins der charts belegte, unter anderem auch in deutschland.
der song handelt von den menschlichen schwächen und zeigt eindrucksvoll, was wir von dem erstling des newcomers erwarten dürfen: südstaatenbluessounds treffen auf groovenden soul und eine unglaubliche reibeisenstimme, die einem sofort eine gänsehaut verpasst.
insgesamt haben es 19 tracks auf »human« geschafft. um die produktion kümmerten sich abwechselnd two inch punch (damon albarn, brian eno), jonny coffer (beyoncé, all saints, weezer) und mark crew (bastille, the wombats).

the sub label of sonic groove, -sonic groove experiments-, returns after a 4 year hiatus with a stellar re-release of the electrowave classic -eruption- by beta evers. originally released as a limited edition 12- back in 2005 on beta s own kommando 6 label. now in 2017 the original pressing goes for quite a fortune on the record collecting market. often exceeding €60 for a mint copy. for the first time in a dozen years this release is available on vinyl in its original running order but with very sleak new artwork for the normal asking price of a new store bought 12-.

‘curao’ is the first full collaborative album from world-renowned british producer quantic and colombian folklore singer nidia góngora – who has regularly fronted quantic’s high profile live ensembles in recent years as well as contributing to some of his most popular tracks.
with infectiously danceable rhythms, captivating songwriting and up-to-the minute production, ‘curao’ brings a new and highly original interpretation of the unique, rich and mystical musical traditions of the colombian pacific coast. combining quantic’s trademark electronic production with the distinctive traditional rhythms of pacific music the album presents itself as a captivating body of work.

very industrial and heavy, certainly no manierism of techno music anymore, but rather transcended into phenomenai of the fearful kosmos , tragic ouranos pankration , all that seems to manifest both wave and particle properties, as apparantly the right block of parian marble had been provided, already containing the very statue itself inside it, for the old, yet merciless tape and tube mastering machines that simply generate xaos , this elusive and inscrutable quantum-engineering process of natura ex machina , and that, guided by providence herself, chiseled away like old praxiteles the soft flesh of the kouros until the bare shapes, ideai of things finally came discovered and exposed to the human ear and body, simply allowing the sound to fall right into its proper natural space form or, perhaps, like in la divina commedia our sad poet laureate in purgatory did wonder: poi s ascose nel foco che li affina , then hid him in the fire that purifies them .

touch sensitive is the moniker of multi-instrumentalist and production wizard michael di francesco. his debut single body stop was one of the first tracks released on future classic, all the way back in 2004. fast-forward to 2013 and his debut ep pizza guy / show me became one of the one of the most internationally beloved releases of 2013, due to the cult status æpizza guyÆ received. since then, touch sensitive has been relentlessly touring and writing, with recent highlights including supporting performances for disclosure, cut copy, flume and flight facilities. now he is back with his infectious, 13 track debut album visions, including the return to spotlight with his eclectic first single lay down, with its blissful melodies and driving keys getting praise and features on tastemaker blogs both nationally and overseas.
double vinyl in gatefold sleeve with download code and poster included.

after the long awaited and acclaimed return of the notorious manie sans de&#769,lire on june records, one-half of the group, trenton chase, returns on the label with a bold solo lp marking his departure from the sound of his previous releases on the imprint. for his first album attempt, trenton embarks on the search for everything and manages to encapsulate the whole essence of the june records ethos within 43 minutes of music. although initially not planned as an album, deadlock was conceived organically as it only took a few months for its completion during the artist’s most abundant 2017 studio spring sessions. this body of work transcends formulaic attempts to showcase a very refreshing and uncompromising take on synth music. chase followed a crude approach to songwriting, rehearsing and improvising live until the best take would eventually become the final track. artwork by florent mazzocchetti.

grant002 delivers 4 tracks of airy, classic, deep-tinged house music. mixing up unofficial remixes with classic samples and original materiel, this time featuring chris gray on vocals on the track calibrate. 1 per customer!

lowfreq77 is taking no prisoners as he steps up to deliver the second release on summa cum laude. the italian producer has only emerged in the past few years, despite having dedicated a great deal of his life to producing music.
it was clearly worth the wait - 1804 is the kind of fist thumping techno that leaves no body motionless as it rips its way through the dance in a hail of relentless claps and nagging synth hooks.
rails meanwhile amps up the robert hood style twitchy loops, making this a techno record for those who like their beats pure and unrelenting.

spiralling hard techno tribe from underground french deep heart.

300 copies - vinyl only - no repress!
a new berlin-based label coming from the russian wilderness. our first release is a 4-tracker of the analog sound enthusiast chizh and includes a secret circuit remix.

drumcode continues its commitment to releasing the scene s most cutting-edge techno. with releases this year already from adam beyer, pig&dan, alan fitzpatrick, dense & pika and julian jeweil, this july sees the return of enrico sangiuliano with astral projection. after his remix of mobys of why does my heart feel so bad back in november last year, enrico sought creative inspiration from his travels, transcending that into his productions and long studio sessions during the winter months. the result brings a mind and body melting release from the italian producer. the title track astral projection is a captivating, big room techno masterpiece. deep reverberations punch alongside a sinisterly crisp percussive drive. launching into a groove laden synth modulation of low end textures, it breaks down into an ethereal amalgamation of pads and synths before the vocal launches, taking this track to another level. ‘blooming era has destructive dancefloor intent. there is no holding back with the low end synth modulation which enrico has mastered to perfection. a tightly woven percussive flare moulds flawlessly with the rolling oscillations of the beast of this track. if you have seen label head honcho adam beyer playing anywhere on the globe in the last 5 months, this has been a peak time favourite. road-tested to the max, and with much success.

repress - fresh from drops on clone jack for daze, non plus & ultramajic - san fran’s vin sol returns to uttu where he debuted his first material (the incredible edges of a vortex back in 2012 one of the 1st ever uttu releases!). nutthin butt ghetto azz acid bombs for the klubb!

joe armon-jones & maxwell owinare forces to be reckoned with. both integral parts of the burgeoning south london jazz scene, these young musicians contribute to numerous outfits including ata kak, jamie isaac, mc pinty, moses boyd exodusand ezra collective, as well as pushing their own solo projects.this is their first combined effort. idiom is the result of multiple collaborations under the direction of joe and maxwell. featuring nubya garcia, oscar jeromeand jake long, it is heavily influenced by the hardcore continuum and covers everything from 2-step, broken-beat and house to jazz and dub.having been compared to artists like 4hero, floating points, harvey sutherlandand moodymannall in the same breath, joe & maxwell arealready garnering support from radio 6 musics gillespeterson, jazz fm/musica macondas tim garciaand jazz fms chris philips.this is an accomplished body of work by some of the most exciting young talent in london right now.

over the clouds, over the palm trees, there’s club paradiso. club paradiso is a mission. this italo-duo comes from rimini, adriatic coast, and brings forth the golden age of the spanking riviera club culture. travelling through time and space with synths and drum machines, they mix the past(a) and the future. it’s not all about nostalgia, it’s the future they like. the new ep titled “panoramica” sexily rides the summer vibe with infectious body-moving rhythms. the ep is an hypnotic and groovy journey that starts off with “batongo”, a tribal and exotic dancefloor banger that will let the sweat out of the listener in zero time. “espresso notte” is filled with organic house grooves, dreamy pads and a synth that tells you a story that could go on and on and on. “gulliver” and “litoraneo” pick up from there and bring the sound scenario down heavy with 70s-80s disco sounds and boogie, transporting mind and body to a warm and mellow planet. “panoramica” reflects perfectly club pradiso’s goal of mixing past and future, an über-cool ep that is both club and disco friendly.

antideepressant records, where jazzy house, nudisco, techno meets deep and creates the eclectique spiritual grooves for your mind, body & soul. listen to lola allen s deep-afro stripped back but emotionally resonant track. the idris rises is really a classic beautiful track, so relaxing and spiritual, freakin great latin influenced house, while mille & hirsch made a uplifting deep dancerfloor killer. this ep will help save hot energy on any party, festival or just stoned you at home.

the third release by the paris based public system recordings knows no bounds or borders. a massive 2x12 inch compilation featuring the likes of fallbeil, innsyter, morah, buttechno and many more from the realms of heavy rust and wild animals. the heart beat of industrial noise resonating through weathered metal surfaces. psr003 is certainly writhing with wild tribal movement informed by the ferocity of feverish drum programming, waterlogged flanging and carefully degraded waveforms creating this fully engrossing and almost unclassifiable techno selection. it certainly puts an emphasis on the body aspect of ebm.

the cultural phenomenon that is the wu-tang cannot accurately be described without referencing one of the pillars in the clan s discography, chef raekwon s only built 4 cuban linx remains firmly planted as one of the defining triumphs in their artistic legacy. the oft referred -purple tape-, has been cited and debated by many as the greatest wu-tang solo project to date and a remains a bullet point in any discussion involving the greatest -cocaine rap- or -street hop- albums of all time.

roman producer (and a force behind minimalrome label) valerio lombardozzi known as heinrich dressel returns to barba with a second release for our label, titled -the styx swamp-. heinrich has a unique way of combining classic techno and electro sounds with elements from the beloved drexcyan universe and john carpenter leitmotifs, and making them come together in a manner that both moves your body and pushes your mind beyond the point of awareness. as with the previous record, -lurking underwater-, here he pulls off the move with the same efficiency and without sounding like he s repeating himself. -gray slope-, -sailing the nether waterways- and -the styx swamp- are all quite moody and deep, rich with sound and thick with vibe. however, the tracks feel equally at home in 4 am techno situation and a heady afterhours affair. he truly is a master of crafting hybrids whose influences get so flawlessly embedded that it s hard to point them out. if that s not enough, -the styx swamp- got a treatment by nigel rogers aka perseus traxx, a multi-faceted producer and a mighty live act performer. nigel stayed respectful to the original but made the original s bouncy groove into something more direct and reduced, while retaining the same feel conditioned by lead synth s hypnotic quality. we re known to give a little bit of extra love to our releases so (as all before) this one s pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by emaemaema.

freshly dressed after a double helping of made to measure goodness, aficionado size up another summer time smash for the sandal-wearing masses. keen to capture the coastal cool of the wirral peninsula, the label crack out the crystals and summon strange-wave sorceress brenda ray for another hit of her interplanetary excellence. wandering from new age haze to celestial rays on this tripped out trio, our genre blending genius takes the fourth world into the fifth dimension of psychedelic sound. our spiritual journey begins with the chakra cleansing solartude , an out-of-body beauty which bathes us in swirling flute, dreamy chimes and shimmering tape delay before sending us off towards the orient. eastern tones and hushed vocals ride a glistening sequence as this flawless fusion of exotica and dub suggests a medicated martin denny stumbling out of chinatown and into a humid mangrove. next stop on the voyage of self discovery is space dustin , a lunar lullaby for lucid dreamers which sees brenda spin fairlight mallets, celestial keys and whispered vocals into an immersive ode to the outer rim. floating free of space and time, perhaps you too can glimpse the excellent birds. over on the flipside and the temperature begins to rise. skip, hop to bop sees brenda dabbling with dub techno, setting basic channel synths and stirring strings to a skittering rhythm. dislocated and disoriented we descend into a strange subterranean world of rothschild parties, lynchian noir and muffled techno. surrounded by swirling voices, shuffling percussion grabs hold of you and all that remains is to sway.

pablo cahn is a talented producer hailing from and currently residing in bogota, colombia. “soul rain” is his third release on cadenza, and it comes with a massive remix by the spanish don paco osuna. the original mix of pablo is a long attractive dance floor tune textured by an overwhelming bass line and a deluge of vocal grains that shapes a large number of fills and break downs all over the track. as the journey go further, a complex twist of harmonies and resonances arise from the rhythmic grounds, shining over a blissful body of beats. paco osuna’s remix recap all the rhythmic elements and shrink the vocal drizzle maintaining their relevance to the building of the track. the bare inter-twin of its relentless bass line and its stinging hi-hats works out a magnificent outbreak of the dense original tissue of chords.

phuture-t dials up dub and drumfunk from the samples of greenleaf’s new orleans influenced track, forward motion. the beats are more broken and the effect delays are longer. the signature interview recording has been chopped and used as downbeats on the progression changes.
with melodic and rolling percussion, earl grey creates a cheerful vibe to start the ominous maze remix. the intro leads straight into the body of the track when the contrabass becomes the dominant instrument making the tone tougher. the drum breaks transition through several change ups and syncopated edits.
metro gives mhc a new treatment with extra field recordings and an extended break down. the jungle influence is stronger with bigger, funkier subs. classic break beats are layered with sound effects and noises all supporting the main rhythm of the bassline.

after a busy eighteen months promoting his debut album, essex-hailer max chapman brings us his la fiesta ep on hot creations. the title track features alongside remixes by the versatile luca cazal and house veteran todd terry. with latin vibes from the outset, max has encompassed the essence of the white isle. la fiesta is a migration of percussion, chanting and melodic vocals and flirtatious basslines. luca cazal has turned up the kick and brings an old school vibe with his remix. todd terry’s energetic arrangement of snares and bongos compliments the provencal vocal perfectly. since his arrival on the scene six years ago, max chapman has released on an abundance of labels including viva, toolroom and last years body jack on elrow, that achieved number one status across all genres on beatport. established in 2012, his imprint resonance records provides a platform for the freshest talent in underground tech-house. max’s album catch me if you can, released last year, received a notable 9/10 in both mixmag and dj mag. luca cazal has been steadily rising up the ranks since his debut release on crosstown rebels in 2013. constantly refining his production skills, luca transmits positive emotions with every track he releases. after three decades on the scene, grammy-nominated legend todd terry has continued to release superior productions and entertain crowds worldwide.

schwefelgelb return to fleisch with den umgekehrten atem. this 4 track document offers sid and eddy s latest gems in the pursuit of the perfect beat. propulsive and heady, den umgekehrten atem renders the glass and dust of early digital and wavetable synthesis with narcotic definition. fragments of rgb split conga and drone swarm around this body hybrid of techno and ebm, created with the sole purpose of stirring neural cocktails in the minds of listeners from detroit to berlin. currently one of the best live electronic acts on the planet, extensive touring across the globe in support of an unfaltering stream of releases has made 2017 an incredible time for schwefelgelb so far. with a record of such energy and clarity of vision as this, it doesn t seem like stopping any time soon. / incl mp3 code